| Author |
Subject |
ollec Registered User (8/27/00 8:30:40 am) Reply |
Audition tips?
I am auditioning for the youth
orchestra in my area next Saturday--kind of short notice, isn't it?
It's not too big of a deal, but I still don't want to embarrass
myself. I get kind of nervous when I play in front of people and I
tend go on autopilot just to stay alive. Normally that's okay--my
audience is generally parents who have listened to their kids
screech through Perpetual Motion so many times that just about
anything sounds good. I also usually know the piece a little bit
better. It's not like that this time though and I need to
concentrate. Any tips for not totally loosing it? And what are
auditions like, exactly?
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matthias24
 Registered
User (8/27/00 3:04:40 pm) Reply |
Re:
Audition tips?
ok. i had already typed all this
out, but my stupid computer kicked me offline!! so i have to write
it all again!!! (i'm assuming that you have never auditioned for
anything before, and that Orchestra auditions are pretty much the
same as Honor Band auditions are. what i type here might not even be
remotely close to what you will do, i dont know.
)
Ok. I can't help you as far as tips for relaxing and
playing in front of people. usually it just takes practice and
repetition at playing in front of people before you get comfortable
with it, but i CAN tell you what auditions are like (in my own
experience anyway.) ahem, . . .
I would suggest getting to
wherever the auditions are at least 2 hours before your scheduled
audition. however, if you are scheduled earlier in the morning, this
won't be possible, and you might not even know your time before you
get there. it all depends on how they do things. anyways, . .
. You should find your audition room as soon as you get there.
that way it will be easier and less stressful when it's time for
your audition. after you find your room, find the practice area (if
there is one). Pace yourself as you practice, you don't want tenses
or tired muscles when you go in to audition.
Go to the
audition room about 15 minutes before your audition time. this will
give you a chance to check in with the room monitor and to rest a
bit before your audition.
when it is your turn, walk in
quietly and set up for your audition. if you have a question, ask
the monitor quietly. Sometimes your judges will be behind screens,
so you can't see them, and they can't see you. This is easier to
play, than having the stress of knowing that your judges are
watching you. after you play your audition material, there will
probably be a sight-reading excercise. they will give you time to
look over it. some places give you 30 seconds, some a full minute,
and some give you pretty much unlimited time, (as long as you dont
take TOO long. ) also,
some places will let you actually play through the excercise on your
instrument during the alloted time span, and other places are very
strict that you are NOT supposed to play, so it would probably be a
good idea to ask the room monitor the rules before you get to the
sight-reading audition. First and one of the most important things
to remember is the key signature of the piece. sounds dumb to remind
you of that, but that is what most people forget to look at and
acknowledge during their audition. (i ALWAYS forget the Key!) i
guess we just get nervous and the brain freezes up, and the key goes
out the window. when you finish, you will probably be able to
leave right away.
Good luck, and let us know how everything
goes.
~Aaron~
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MelloCello Registered User (8/27/00 7:04:14 pm) Reply |
Audition tips
my experience in auditions have been
stewn across the whole spectrum of audition quality. i've had
totally great auditions and really god awful ones too. now because
of this, i've learned how to optimize auditions for me. that may
differ from your style of playing. just wanted to say that before i
began. anyway, when i audition i arrive about an hour before i am
to play, and i only play for 20-30 min MAX before the audition. one
of the things that has always killed me before auditions was that i
would practice the short piece over and over, and since i'm nervous
i mess up, and i begin to learn the music wrong. not a great way to
practice before an audition. so whatever you do, DO NOT over
practice. usually i know i've over practiced when i begin to mess
up. then i stop. the days before the audition are crucial. don't
practice too hard, but don't slack off either. and don't practice
mistakes. so when you go into the audition room sit down and
listen to the auditioner and what he/she wants. then before you
play, take a deep breath and focus on playing. know how the first
measures go and sound so you don't mess up the beginning. then, just
get into it. the hardest for me is the beginning. once i get going
it's usually gets better. well i hope this helps you some for
your audition. and tell us about the results (if you want) and
good luck!!!!!!!!! Steven
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Cellochick Registered User (8/28/00 8:35:46 am) Reply |
Audition tips from a former nervous wreck.
Lately, I've been getting into the
whole "positive thinking" vibe. This sounds hokey, but IT WORKS! Get
to the audition about an hour early, find the room, take in the
atmosphere, etc. Then, find some quiet place alone for meditation. I
usually do this yoga thing where you raise your arms above your
head, inhale and bring them all the way down to your toes SLOWLY,
rolling each vertebrate in your back. By the time your arms are all
the way down, you should feel very loose and limp, like a rag doll.
Then exhale, and SLOWLY bring your arms up again, feeling each
vertebrate in your spine responding. Hopefully you feel a little
more relaxed now. Close your eyes and visualize your audition, the
room, etc. Think of yourself playing your pieces flawlessly, with
great tone and style. Think of how exactly you want the audition to
go. Go warm up for 30 minutes, max. If you over-practice beforehand,
you don't sound as "fresh." For the sight-reading portion of the
audition, take as much time as you possibly can w/o being
ridiculous. It won't annoy the judges - they'll be impressed that
you take the time to study the piece thoroughly. It sounds stupid,
but check for BASICS: key signature, time signature, tempo markings,
accidentals, and dynamics. In sight reading, the most important part
is RHYTHM. Try sight reading something every day when you practice.
It'll help. And about the nerves - I hate nerves! Why can't we all
be born w/o the "fear" gene? Anyway, there are drugs you can take if
you have a big problem, but it doesn't sound like it. If you can get
a back-rub from someone right before you go in, it might help. Once
you're in there, just think to yourself: These judges want me to
play the best I can play, because if I do that, they will see me at
my best, and be able to judge me well. The judges are not your
enemies. Auditions (and performances) are like any fear - the more
you do them, the easier they become.
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ollec Registered User (9/1/00 5:24:17 pm) Reply |
Guess
what! Guess what
I guess
you've probably guessed. The conductor said he'd take me! I really
screwed up the sight reading, but he was so impressed with how far
I've come in such a short time that he said he'd take me! He told me
that I'd have to practice a lot and rehearsals were long and hard
and that I'd be "one of the younger ones"--but, hey, I like a
challenge!
Edited by ollec
at: 9/1/00 5:24:17 pm
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CelloFreak Registered User (9/1/00 7:58:31 pm) Reply |
Congratulations!
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Cellochick Registered User (9/2/00 8:47:25 am) Reply |
YOU
ROCK!
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matthias24
 Registered
User (9/2/00 10:34:37 am) Reply |
A
question. . . .
well, first off, congratulations!
It is my short-term goal in cello to make a youth orchestra.
But I have a question. How long have you been playing? I am not
going to try out for OYO (Oklahoma Youth Orchestra) until my senior
year in high school (next year!) and I've only been playing for 10
months as it is right now. Actually, 10 months yesterday, to be
exact. So I am just curious. Thanks!
~ aaron ~
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ollec Registered User (9/2/00 11:00:07 am) Reply |
Re: A
question. . . .
I've been playing for exactly a year
and a half. But it's been a year and a half of practicing for one
hour during the school year and two to three in the summer, so...
Isn't it kind of wasting your time to wait until your senior
year--I mean, how long after that do you qualify as a "youth"? I
don't know what level of playing you are on, or what level you need
for the OYO, but if I can do it, you probably can.
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matthias24
 Registered
User (9/2/00 8:36:43 pm) Reply |
Thanks!
(and another question, . . . .for anyone)
One reason I am waiting is because
the try-outs for the fall semester are probably already over. (There
are, however, try-outs again in December for the spring semester)
And another reason is because my school schedule consumes almost
every bit of free time that I have. Right now marching band takes it
all, and Varsity Choir and Drama are also issues. However, Drama
will only take up after-school time if I try out for the spring
musical, which I am still debating on whether or not I will try out.
I have already decided that I will not play piano in Jazz band this
year like I have the last two simply to conserve time. Hmmm. I might
try out for the Spring Semester.
Now, since I am thinking of
trying out this year after all, can I ask (not only you, but anyone
else here who might have an answer) what your audition material was
like? Was it very challenging, or just basic stuff? I've heard that
the audition material for OYS (Oklahoma Youth Symphony, which is
pretty much a sister group to OYO) is pretty easy. Thanks!
~ aaron ~
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ollec Registered User (9/3/00 3:44:37 pm) Reply |
Re:
Thanks! (and another question, . . . .for anyone)
Hi! It's me again. First of all, how
do you do all that? And in addition, don't you play two or three
instruments? And I thought I had it hard! I played the G major
Bach Prelude for my audition and the conductor told my mom that it
was a very hard piece (?). I don't think he was expecting a lot out
of me though, because the first thing he asked me was "Do you know
how to play a G major scale?". I almost fell over in shock--I
expected B or F sharp at the very least. He then made me sight-read
the cello part from "Hansel and Gretel" (not that hard) which
they...whoops...we are playing this year.
Edited by ollec
at: 9/3/00 3:44:37 pm
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matthias24
 Registered
User (9/3/00 4:40:20 pm) Reply |
Re:
Thanks! (and another question, . . . .for anyone)
Yes. I play Piano and Percussion in
addition to cello, and now have Varsity Choir and Drama along with
band. ( ) The good
thing about my Drama class this year is that it's Drama 1, and
there's really not much acting involved. Most of the acting comes in
Drama 2. (Drama 3 is based around directing plays, and Drama 4 is
the technical aspects of Drama) I will be in one play this year,
plus the musical, if i choose to try-out.
Gosh, I learned G
major even before the method book that I am being taught out off
introduced it! And I also have figured out B-flat major on my own.
really, cello fingerings aren't that hard to figure out. I had a
B-flat (on A string) in one of my etudes, and I just knew how to
play it before my teacher showed me how.
Ok. I have a copy of
the Bach Suites, i can ask my teacher about her suggestions
concerning trying out/try-out material at my next lesson. (which
won't be until the 18th!! which is horrible because I might be
playing at my church on the 17th, and I wanted to play the cello
part for her again to make sure that I have it down good enough to
perform.)
I definitely need to practice more if I intend to
make OYO this year. Tomorrow, since we're out of school for Labor
Day, I've already decided that it will consist of Cello practicing,
washing the inside and outside of my car, Cello practicing, reading
some more of Les Misérables, and more Cello practicing. and maybe
some short breaks in between to sight-read some stuff from my new
Piano book I bought yesterday (Complete Preludes and Etudes by
Chopin.) I'm going to get off-line now, and practice Cello. Hmmm. I
really should set aside a certain amount of time each night to
practice cello. But, in the meantime, since I don't have church
tonight (also due to Labor Day weekend) I can practice cello!!
(won't my family love that?!)
~ Aaron ~
Edited by matthias24
at: 9/3/00 4:40:20 pm
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Corrina
Connor Registered
User (9/4/00 4:26:02 am) Reply |
Re: YOU
ROCK!
Yes, well done! I don't know why
auditions are so hard. I get more terrified by an audition into a
casette recorder with one person present than playing a solo with
150 people present.
I
hope you have a great time in this orchestra, and that you play good
music in it.
Keep us posted!!
Corrina
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karen83 Registered User (9/5/00 2:44:53 pm) Reply |
Re:
Audition tips?
Corrina, I totally understand your
fear of cassete tape auditions. I freak out, because I just imagine
the judge playing it over and over again listening for mistakes.
When you're playing a solo for tons of people your mistake is
forgotten(usually) very shortly after. I also have a harder time
playing for people I have to talk to later. If it's somebody I'll
never see again, I'm fine.
Karen
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MelloCello Registered User (9/6/00 7:36:59 pm) Reply |
Great
Job
That's totally AWESOME that you just
got accepted like that. I really wish every audition could turn out
that good for me. Congrats, again.
Steven
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