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Nico67
Registered User
(9/6/00 2:37:32 pm)
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Bummer
I just received email from the conductor of a local community orchestra. It's the orchestra of the medical school attended by my partner (doctors, faculty, students and family members). I had sent him email inquiring about the orchestra. I know they don't audition. In the email I was very honest about my level of playing (about 1 year of instructions).

He said that what they play is "far too difficult for my level of playing" :( And last year they played Gilbert and Sullivan! So how long do you have to study before even thinking of joining an orchestra?

Please tell me he's right. Because I am also thinking that he said "no thanks" for other non-musical reasons ...

---Rosario

Dorie Straus 
Registered User
(9/6/00 2:48:32 pm)
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Re: Bummer
He might be right about the level and you're experience. I've been playing longer and I struggle. Just keep playing - you'll know. Sorry we didn't get together this summer Rosario - had a rough one. Maybe one of these days, though.

Bobbie 
Registered User
(9/6/00 2:50:25 pm)
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Re: Bummer
He's probably right for musical reasons. I started in an orchestra too soon and it was a struggle to play even the easy parts of most pieces. I didn't even attempt the hard stuff. As for how long until you would be ready, that is hard to say. I have a repertoire list at home that includes orchestral stuff, so if I remember I'll check tonight and see at what level it puts the orchestra music, and post again if I can find anything useful.

Paul Tseng ICS Staff 
Administrator
(9/6/00 3:11:57 pm)
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Re: Bummer
Rosario,

He may be right, but he may also be a real jerk. Who can tell what your level of playing is based on the number of years of study?

Would someone have told me that at 2.5 years of study, that it was far too difficult for me to get into Eastman and into the class of Paul Katz? Well, I did and it only goes to show that you can't tell by numbers of years alone. (I didn't go, though)

For all we know, there might be people in that community orchestra who've played for 50 years who are not up to YOUR level.

I would think that a conductor of a local community orchestra would be appreciative to find an enthusiastic cellist.

Even if he is correct, his people skills are really lacking. He may have just passed up a great addition to his orchestra just because he doesn't know how to work with people.

If I were him, I'd have invited you to come play with the orchestra and let YOU decide if you were comfortable playing in it. OK, if not that, at least, I'd listen to you play first before making such a sweeping statement.

Anyway, if they don't audition, then why not just show up?


Paul Tseng, Cello Chat Administrator


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Ellen G 
Registered User
(9/6/00 7:08:33 pm)
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Re: Bummer
To satisfy your own curiosity, can you at least find out what they are playing and get the cello parts? I don't think there is any harm in asking. If the school isn't willing to part with the music, you can at least inquire here and the pros in the know should be able to fill you in on what is required.

Granted, there are probably some parts that you could play. The thing is, you could hamper your progress in the long run by having to learn music rather than learning how to play the cello. Make sure you know your fingerboard geography so you don't have to make those leaps between 1st and 4th positions. Things like that will make music which is difficult for one cellist easy for another. And if you don't have good bow control, having to play fast parts or strokes the music demands that you haven't learned yet could get you into nasty habits.

I'd start with chamber where you have interplay of parts, but control over tempo and difficulty. A program may have "Water Music" in it, much of which can be played in first position (although it would sound better if you can vibrate the long notes). The rest of that program could be a Mozart symphony which would call not just for your ability to play notes, but to count! Last year we played "Jupiter" and I can't tell you how many times we had multiple cello entrances instead of ONE because people couldn't count. The rhythms can be complicated.

Anyway, as I said initially, make yourself feel better by seeing the music. If you find you can play it, you will be in a position to go back and say, "Excuse me, but I can play this." I admire your spirit in not being afraid to try. Good for you. Ellen

Edited by Ellen G  at: 9/6/00 7:08:32 pm

lblake 
Registered User
(9/6/00 9:50:19 pm)
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Re: Bummer
At 6 months of instruction, I searched for community orchestras. Found several - most required auditions. Two didn't. I joined up with those two.

In one (the one that actually says they will let anybody play, although, they do not play beginner music), I could barely play much of it. But I learned a tremendous amount in the process. By each performance, I could actually play some of it, and practicing, quite a bit of it. Throughout, the other orchestra members were very supportive and happy to have me there. :D

In the other (the one where they will pretty much take anyone, but not officially - the conductor still has a say in the matter), I could play not much of the music at first, but by the third quarter, I could actually sight read quite a bit when we started new music, and I played almost everything by the performance. I stumbled quite a bit along the way, but again, they were very happy to have me, and very supportive along the way.

Throughout, I also took lessons (to hopefully avoid developing those nasty habits).

For two weeks on the break this summer, I was in the pit orchestra for Rogers & Hammerstein's Carousel. At first, I didn't imagine I'd ever be able to play it, but by the performances, I was actually making a fair go of it. (although, I was very happy that there were so many brass parts to overpower us!) Again, they were very supportive and happy to have me there, despite my blatant inexperience.

By the end of the orchestra season, fellow orchestra members were even saying I should come play chamber music with them, or join such & such cello choir... etc.

This is not because I was good. I'm not. It's because these people were in it for the fun and the community, and because they love to play.

So, it seems to me like: it just depends on the orchestra, and on your level of comfort in being pushed, and/or with humility. ;) There are probably more community orchestras around who would love to have you. :)

me4cello
Registered User
(9/7/00 3:44:47 am)
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Re: Bummer
I wish I could join your orchestra it sounds like a lot of fun....

Nico67
Registered User
(9/7/00 9:55:35 am)
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Re: Bummer
Thanks everybody. Yesterday I was really upset by this guy short response. Since the orchestra doesn't audition I expected him to say "come over and try out". He's probably right though and I think Ellen is also right, I should focus on learning to play the cello rather than put all my effort in learning the orchestra's music.

To Paul: I didn't just tell the guy that I have 1 year of classes behind me, but I also described in words my level of playing (confortable in 1st position, beginning to shift in 2nd and 4th, no vibrato, etc etc). I still found his answer a little too cold and abrupt though.

Which brings me to the reason why I was *really* upset yesterday (and this is not cello related so you can stop reading if you wish). The school in question (Albert Einstein College of Medicine) does not recognize same-sex relationships. For example they offer married students subsidized housing but they refuse to do the same to domestic partners couples (like me and my partner). This is in flagrant violation of NYC non-discrimination laws and the school has been sued by some students and the ACLU (lawsuit still pending after a couple of dismissals). While we didn't apply for housing because we have a dog and pets are not allowed in the student housing, 2 years ago I was literally chased out of the school gym by a screaming manager when I tried to purchase a spouse membership. The school's position stems from their affiliation to Yeshiva University, an Orthodox Jewish school. Several faculties and students are also Orthodox Jews and support the school's position on this issue. When I read the guy's response I had a paranoia attack and I thought that maybe he really doesn't consider me a "family member" and that was a nice way of giving me the boot. These were the "non-musical" reasons I was alluding to and somehow a doubt still lingers on the back of my mind ... Sorry for the digression ... I had to vent ;)

I think I will start looking for chamber music partners instead ...

---Rosario

DWThomas
Registered User
(9/7/00 11:17:08 am)
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Re: Bummer
Hmmm...

Take three deep breaths, hop up to that DQ in Old Saybrook and have a Blizzard!

Sadly, there's far too much fundamentalist activity going out of its way to hurt people in this country. I'd like to think we're more enlightened than that, but it keeps happening. We seem to forget the reasons our ancestors came here (and bumped off the natives -- but I think I better stop now... ;) )

Dave

jekerry
Registered User
(9/7/00 11:33:07 am)
Reply
Re: Bummer
What a horrible place to go to school! Spend as little time as possible there, it will only make you doubt yourself. Life is too short to be around negative, shallow, prejudice people. I'm sure you can find much better places to play music and make friends. Does your partner need to stay there much longer? Run for the hills and save yourself the heartache!

Good luck,

Jane


          New Bummer-Nico67-(9)-9/6/00 2:37:32 pm  
               New Re: Bummer-Nico67 9/7/00 9:55:35 am  
                    New Re: Bummer-jekerry 9/7/00 11:33:07 am  
                    New Re: Bummer-DWThomas 9/7/00 11:17:08 am  
               New Re: Bummer-lblake  9/6/00 9:50:19 pm  
                    New Re: Bummer-me4cello 9/7/00 3:44:47 am  
               New Re: Bummer-Ellen G  9/6/00 7:08:33 pm  
               New Re: Bummer-Paul Tseng ICS Staff  9/6/00 3:11:57 pm  
               New Re: Bummer-Bobbie  9/6/00 2:50:25 pm  
               New Re: Bummer-Dorie Straus  9/6/00 2:48:32 pm  
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