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drcello
Registered User
(4/27/01 9:28:28 am)
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"Covered Parts"...
Tell the truth, now! When you've got a terrifically difficult cello orchestral part, and you are covered up by the brass, etc., do you really try hard to play it exactly right?

Marshall C. St. John
drcello@vei.net
Cello Heaven

David Sanders 
Registered User
(4/27/01 9:44:21 am)
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Re: "Covered Parts"...
Absolutely. You don't always succeed, but you always try.

G M Stucka
Registered User
(4/27/01 12:28:27 pm)
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Re: "Covered Parts"...
If we didn't have integrity in the CSO, we'd never have to play ANYTHING right!!

(only a 'slight' exaggeration from the Slidemaster)

Steve Drake
Registered User
(4/27/01 1:30:00 pm)
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Community Supporter
Re: "Covered Parts"...
I try hard to play everything right. Otherwise, what's the point?

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My Cello Homepage

zambocello
Registered User
(4/28/01 1:08:52 am)
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Re: "Covered Parts"...
Gotta play all the parts, all the time. It's impossible to draw a line as to when it's okay to fake and when it's not. So the answer is to not fake. (Do as I say, not as I do!) Plus, even in "covered" passages, the clarity, resonance, etc of the passage work creates the background sound for the louder voices.

cellochris99
Registered User
(4/29/01 4:50:51 am)
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don't get caught with pants down
You'd actually be very surprised as to what people can really hear clearly in the audience. There have been times I've prodded through a piece, thinking that my part was just an underlying sub- structure to what I thought was a main melody in the violins or brass, that I could barely hear myself over, then people who listened would later tell me how wonderful that little question-answer counter melody we'd played sounded so nice over the orchestra!...I could've let it slip a little, but I'm glad I didn't, that would suck.

Chris

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