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Herr Kukini
Registered User
Posts: 5
(2/18/01 5:09:04 pm)
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Tired arm
For songs that involve multiple string crossings at fast tempos, I find that my arm gets tired easily(obviously), and it makes practicing the song for long periods of time difficult. I was thinking maybe lifting weights would be a solution, but I'm not sure. Any suggestions?

dmarteinson
Registered User
Posts: 7
(2/18/01 5:45:12 pm)
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Re: Tired arm
I don't know about actual weight lifting, but Erik Friedlander has put together a great cello "Olypmic Workout" that you can try.

See:

http://www.erikfriedlander.com/lessons/Workout_home.htm

I recommend long tones in particular for developing strength and control in the right arm (Lesson 1), but don't overdo it !

It'd be interesting to know whether actual weight lifting might help, I'm really not sure. I would _guess_ that a Bruce Lee-ish physique would probably be better for a cellist than an Arnold Scharzenneger-ish physique, since strength is often the enemy of speed and flexibility. Maybe some of the pedagogues here have explored this?

-djm

rexmeow
Registered User
Posts: 4
(2/21/01 1:13:14 am)
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Re: Tired arm
From my experience, lifting weights can help some. But I lift weights for my biking, skating, and climbing, plus you want to keep your bones in good shape, so it couldn't hurt for that, try pullup,pushups, and dips also. My arms will still get tired sometimes like in the situation you described but just not as easily.But I have wrist problems anyways, those past biking injuries just seem to haunt me.But do try lifting weights for strength, it improves the body, makes you healthier.

Nvbob7
Registered User
Posts: 10
(2/22/01 4:59:38 pm)
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Re: Tired arm
Herr Kukini,

If you do decide to lift weights, I urge you to speak with a trainer. Just doing curls with dumb bells probably won't help you that much, and a neophyte with weights almost always gets injured. Cello playing demands endurance and agility among a large group of muscles. I suspect the trainer will give you a light free weight regimen to start with: light weight and many repetitions. That will build tone and endurance. Heavy weight and few repetitions builds bulk.

Weights may not be the place to start, but there are alternatives. Calisthenics are very good. I like them because I can do them anywhere I travel and no equipment is required. Navy Seals use them for the same reason so if that isn't and endorsement, I don't know what is. Push-ups will help a lot. If you vary how far apart you place your hands on the floor, you work different muscle groups in your arms, chest and shoulders. Then do some stomach crunches (half sit-ups). This strengthens your stomach and back, which are the foundation of your strength. Then get between two chairs and do some dips. This is very good for your triceps (very important on the bowing arm), not to mention lats and shoulders.

Some type of aerobic exercise that gets your heart rate up for 20 minutes three times a week is key, musician or not. If you prefer not to run (like myself) try brisk walking, preferably up hill. Carry a five pound (2 kg) weight in each hand. You'll be amazed how much energy you'll have after two weeks.

I have found swimming to be excellent exercise for my cello playing, because it demands a full smooth motion. Because of my travel schedule I cannot practice every day, so the two or three days a week I do practice I like to work for three or four hours. Orchestra reheasals that go three hours now seem short to me now.

There is another thing to consider: You may be tensing your muscles in anticipation of a fast passage. My wife who is a very nimble on the violin cured me of this by teaching me to slow my breathing and relax. You are much faster when you are loose, and you'll have more endurance.

Good luck!

Bob Short

ollec 
Registered User
Posts: 149
(2/23/01 12:50:51 pm)
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Re: Tired arm
The thing that weight training really helps with is lugging the thing around!
Seriously though, weight training could help if you approach it the right way. The thing about weight training is that it tends to make you do everything with your muscles, even when you don't really need them. I weight train, but I also do yoga, in which there is a lot of attention given to energy conservation. The thing is that you don't necessarily need your muscles for everything, but people who lift weights tend to have a "muscular" approach to everything. I'm not saying not to weight train, jsut to pay attention to how you're using your body.

It's kind of a hard concept to explain and I'm not having much luck. Maybe someone more articulate than I am will know what I mean and explain it for me.
Samantha

Nvbob7
Registered User
Posts: 13
(2/26/01 2:24:24 pm)
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Samantha is right

I'm not sure I'm more articulate but I think I understand exactly what Samantha means. Cello bowing is every bit a complex movement as a golf swing. I've seen many examples of smaller, graceful golfers out driving larger muscular opponents. While the distance the ball travels is a simple matter of physics (generating club head speed), attaining the best result takes timing and skill. There is a big South African golfer named Ernie Els. He is called The Big Easy because is swing looks so effortless, but he hits the ball huge.

Therefore if your bowing form is graceful, efficient and precise, you'll develop a better sound with less effort.

CatMarieS
Registered User
Posts: 11
(5/22/01 8:14:08 pm)
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Re: Tired arm
I get kinda tired too, and once I was playing this song with 16th notes...I think the teacher made it as an excersize because it had thirty second notes, and I really hadn't seen a whole lot of those before. Anyway, the more ya ractace, the better you get, that's the only thing I have to tell ya. :b MAY THE MUSIC BE WITH YOU! LIVE LONG AND PLAY! :b

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